Graham Music Blog

Welcome to my new blog, where I look into the world of arts and entertainment

Review – The Lost Trades - New Album - The Bird, The Book & The Barrel

Review –  The Lost Trades ‘The Bird, The Book & The Barrel’  

The Bird, The Book & The Barrel is the love child and debut album from the Lost Trades who are Lost Trades are Wiltshire based friends, Jamie (R Hawkins), with his dark, country edge, Phil (Cooper) with his urban folk wit and Tamsin (Quin) with her engaging warmth and whimsy. Individually accomplished musicians in their own right, this trio blends together to produce a melting pot of symmetry and true musical talent.

Opening with "One Voice", a song about the power and strength of unity and joined forces : it could be interpreted as a Lost Trades anthem."Road Of Solid Gold" is a positive song about being content with your own company. An extra layer of violin, provided by Peter Knight (Steeleye Span), brings a rich, wholesome, upbeat feel to the melody. Whilst "Hope Cove" evokes feelings of loss, sadness and faith, "Wait For My Boat" jumps in with a rousing, joyful, singalong chorus.

In all the album is full of evocative harmonies and thought-provoking lyrics, bound together in a wonderful traditional-meets-modern folk genre.

Reviewed by Jaen Amber and Tara Egan

The Bird, The Book & The Barrel by The Lost Trades is available from https://shop.thelosttrades.com/album/the-bird-the-book-the-barrel

Review - Steve Bonham and the Long Road - New Album 'American Wilderness Odyssey’

Review – Steve Bonham and the Long Road ‘American Wilderness Odyssey’

New Album Out Now

American Wilderness Odyssey is available from https://www.thelongroadband.net/awo.html

The American Wilderness Odyssey is an extraordinary project from Steve Bonham and the Long Road which features fifteen songs released over a fifteen month period through a series of EP’s culminating in the release of the album and a companion book. ​The songs from the project have all been written by Steve Bonham, Chris Lydon and Kev Moore, and Steve and Chris. Their starting point is not first the songs of others but the deep well of individual experience.  They were inspired by the people, the landscape, the stories and the spirit of the Southern States of the USA. Steve trekked through the brooding old testament forests and mountains of Appalachia in Tennessee, Georgia and North Carolina. He took road trips from Ashville to Nashville and New Orleans and then, trekking and driving, circumnavigated New Mexico. Kev set off in a classic old sedan to visit the hometowns and heroes of his youth spending six weeks on the road through Texas, Tennessee, Arkansas Georgia, Alabama and Louisiana.

The album opens with the ‘Ballad of Duane and Billy Marie’ a gentle song with intricate piano playing interweaved with guitar and harmonies reminiscent of Crosby, Stills & Nash, like most of the songs on this album the inspiration for this comes from a chance encounter  or observation by Steve Bonham which is then expanded into a story. The more up tempo ‘Wrapped Up in You’ has a great rhythm and slick guitar playing and a catchy chorus and was a hit on independent radio globally and number 1 on UK Country Radio. ‘American Wilderness’ is an eight minute song which tells the strange story of Paula Angel, said to be the first woman to be hung in New Mexico. ‘Do You’ is a beautiful gentle song described by the band as a 'secular prayer' wishing someone an authentic and spiritual life despite all the madness that precedes. ‘Midnight Radio’ is cracking little song where all the component parts of The Long Road come to together with great lyrics, a gentle keyboard backing and excellent percussion.

The final track of the album ‘Western Requim’ is a fantastic end to this epic project conjuring images of the wide expanse of the American landscape with it’s almost cinematic soundscape with Hammond organ, piano, guitar & percussion. In a time when how we listen to music is changing almost on a daily basis The Long Road have come up with a creative and inventive solution by incorporating an album, book and videos making it accessible to everyone, big congratulations to all involved.

Graham Steel

Review - Mandy Woods - New Album 'Cabin Fever'

Review – Mandy Woods ‘Cabin Fever’

New Album Released Monday 22nd February 2021.

Bandcamp - https://mandywoodsmusic.bandcamp.com/album/cabin-fever

Glastonbury based singer and songwriter Mandy Woods releases her new album, aptly titled ‘Cabin Fever’ later this month, featuring fifteen songs recorded during Lockdown. A seasoned writer and performer in both Europe and America, Mandy Woods has spent most of her adult life giving in to wanderlust and crafting songs wherever she has happened to find herself on her unconventional journey, many of them telling stories - about the ups and downs of relationships, about her own and other people's struggles and quests, and about the myriad other twists of fate that have inspired her imagination.

The title track Cabin Fever opens the album telling the story of being confined inside with a loved one which is appropriate for a Lockdown which is followed by the gentle My Second Hand Heart with beautiful harmonica backing. This whole album has an Americana/ Folk feel to it with well crafted songs, wonderful musicianship and easy to listen to stories and you have to wonder why Mandy Woods isn’t more well known on the acoustic music scene. The up tempo One Trick Pony definitely takes on more of a Country Music sound and could easily be heard in any Bar or Honky Tonk in Nashville and even has a Yee Haa at the end to prove my point.

There are so many good songs on this album with Cactus Rose, Butterfly, Awesome Woman and Full Moon Over Vegas being particular highlights all telling what sound like personal real life experiences. Although all the songs feature vocals and guitar from Mandy there is some backing with the occasional steel guitar and in All That is Left to Cherish  beautiful violin accompaniment from Judith Hooper. Ain’t No G in Country is a great fun track with has more of a band feel than the other songs. The closing track Every Single Second is all about making the most of life whilst you can, which is a positive message as we all hopefully prepare to come out of Lockdown. This is a really enjoyable album that is perfect listening equally on a cold Winter’s night or on a Summer’s evening under the stars, highly recommended.

The album is available from Bandcamp 22nd February.

Graham Steel

Review - Hoopy Frood - New Album 'Affirmations'

Review - Hoopy Frood ‘Affirmations’

New Album Released Sunday 14th February 2021.

Bandcamp - https://hoopyfrood.bandcamp.com

At a time when how we listen to music seems to change on almost a weekly basis and the concept of LP’s and Singles (for all of us who remember them) seems obsolete ‘Affirmations’ by Berkshire based band Hoopy Frood comes as a breath of fresh air. This is without doubt an album in the finest and most glorious sense, clocking in at just over an hour this is not twelve songs packaged together in 3 -4-minute soundbites but a joyous celebration of music with each track running seamlessly into the other, what recording this way does is that it gives the music time to breath, the listener time to enjoy and the musicians involved time to express themselves fully. There are moments when it feels that the band are just jamming but you can also tell that a lot of thought has gone into this and the production and preplanning is superb.

Having established what Affirmations is, which is an Album, trying to describe what it sounds like is whole different kettle of fish, with deep dance grooves, African percussion, reggae rhythms, classic rock guitar solo’s exquisite soulful vocals, which put together makes it sound like it is incoherent and jumbled, it is not, as Hoopy Frood have their own distinct style which incorporates all these different sounds. From the opening track ‘Water’ which starts with an electronic soundscape overlaid with acoustic guitar fingerstyle and features a guitar solo reminiscent of Pink Floyd followed by the wonderful ‘Round Shaped Hole’, the chilled out ‘Atoms & Molecules’ the beautiful piano overlaid with Spanish guitar playing of ‘Harmonics’ the reggae groves and soul led vocals of Big Wide World and ‘Magic in Your Eyes’, listening to this album is like having a Festival in your Living Room.  The album does slow down with ‘The Woods’ which sounds like it was recorded outside, and you can hear bird song and almost feel a gentle Summer breeze with it’s beautiful acoustic guitar accompanied by a cello, before picking up it’s pace with ‘Whispers’ and they all finally let rip with the album finale ‘Lets Help one Another’. 

This is an excellent well produced album from musicians who clearly know what they are doing that has been ten years in waiting and a great antidote to this crazy mixed-up world with its uplifting music and positive lyrics if any ‘Affirmations’ were needed this is highly recommended.

You can pre order the album now from Bandcamp which is released on 14th February.

Review - Tony Cox - Live at GSMC Online Music Club

Review  - Tony Cox

GSMC Online Music Club – Monday 1st February 2021

 Tonight’s GSMC Online Music Club features guitarist Tony Cox who is a multiple award-winning singer/songwriter and acoustic guitarist, is one of the most highly acclaimed musicians in South Africa today with a loyal fanbase throughout the country, Tony has recently moved to the UK.

 Starting with a beautiful instrumental piece called ‘Floating’ which was written in a Church and has a deeply spiritual feel to it. ‘Winter Song’ was dedicated to Tony’s friend musician and composer, Malawian, Wambali Mkandawire who sadly passed away the day before this performance and you could feel the emotion in this piece with it’s exquisite African rhythms.

‘Salty Towers’ was written at a time when Tony was living in Scotland and was followed by the first songs of the evening ‘Invisible’ and ‘House of Parliament Blues’ which is about the political situation in South Africa. The title track of his forthcoming new album ‘The World Went Quiet’ and is based on the current Covid 19 pandemic. The evening finished with a great version of ‘Baby Elephant Walk’ by Henri Mancini.

 This was a fabulous set from a world class musician and composer who introduces it each piece with interesting stories and has a great sense of humour who is now starting the next chapter of his extraordinary career here in the UK and we should be delighted to have him here.

 You can find out more about Tony Cox by visiting his website  

https://www.tonycox.co.za/

Review - Toxic Sofa - Live at GSMC Online Music Club

Review  - Toxic Sofa

GSMC Online Music Club – Sunday 31st January 2021

 Tonight’s GSMC Online Music Club features Toxic Sofa featuring Tim Bastock and Kim Halliday who were up to a year ago a Bracknell based duo who could be seen at Open Mic Nights across Berkshire on a regular basis and have now relocated to North Yorkshire.

 After a few technical problems tonight’s performance with the help of green screen technology see’s them performing at the end of Saltburn Pier which is local to them dressed in overcoats and Tim is wearing the almost obligatory flat cap. Their set consists mainly of cover versions with Tim on guitar and both of them singing, starting with Blondies ‘Sunday Girl followed a really good version of the Procol Harum classic ‘Knights in White Satin’ with a recorder solo from Kim which really fits the song, followed by Fred Wedlock’s ‘The Oldest Swinger in Town’.

 The green screen changes to a view from a Space Station looking down on the world for ‘Mad World’ THE Tears for Fears song before going into David Bowie’s ‘Space Oddity’. The green screen changes to the picturesque view from their studio for a lounge jazz version of ABC’s ‘Poison Arrow. The highlight for me is the one original number they did ‘Life on the Road’ which sums up what being in a band is like for so many people. All in all a good fun Sunday evening watching live music online.

 You can find out more about Toxic Sofa by visiting their Facebook page https://www.facebook.com/groups/1438335743136189

Review - Jim Chorley - EP Keepsakes Vol 1

Review  - Jim Chorley

EP ‘Keepsakes Vol 1’

 Jim Chorley is an Acoustic/Folk singer-songwriter from Southampton who tells magical story-songs that encompass a life well lived and a life well loved. His latest release ‘Keepsakes Vol 1’ is a compilation EP of his last four single’s.

 The opening track ‘There's Nothing Like Your Love’ starts with gentle guitar intro and violin  which continue throughout and with Jim’s distinctive vocal sound and great song structure this is a great opener. ‘The Blueberry Moon’ is a compelling poetic love song. ‘After the Rain’ is a livelier tempo song which features electric guitar. The final track ‘Newly New’ has more of a folk/ blues feel to it.

Overall this is a fine collection of songs and a great introduction to a singer and songwriter who seems to have been on the acoustic music scene but is new to be and definitely an artist to watch out for in the future.

 You can find out more about Jim Chorley via his website

https://www.jimchorley.com

Review - Matt Hall - Live at GSMC Online Music Club

Review  - Matt Hall

GSMC Online Music Club – Wednesday 27th January 2021

Tonight’s GSMC Online Music Club performance features singer and songwriter Matt Hall from Bracknell. Matt writes his own songs with deep meaningful lyrics and plays a mixture of originals and covers and was newly crowned GSMC Showcase Artist of the Year last week at the Awards Night.

Whenever a performer changes their guitar strings you know they are taking their performance seriously and in Matt’s case this was the first time in six year’s so you tell he meant business. Starting with a Starsailor song ‘Coming Down’ followed by covers of Newton Faulkner, Radiohead ‘Black Star’ and George Michael’s ‘Faith’ which closed the set but as good as the covers were it was Matt’s original songs that shone through which he seemed to perform with more passion and emotion.

‘Angel’ was a song about emotional heartbreak, ‘The Village Came Alive’ is a great lively song about his Grandmother and Matt declared ‘Same Old Lies’ as his best song because it was brutely honest, but for me it was the heartfelt ‘Why Did You Have To Go Away’ which was about his Grand Farther with it’s very moving lyrics.

Although performing solo on an acoustic guitar Matt’s style veers towards an Indie Rock sound and you can imagine he would sound even better with a band, although on his own he sounded great. Matt is a performer who is gradually finding his voice and I look forward to hearing more.

 You can contact Matt Hall through his Facebook page https://www.facebook.com/profile.php?id=100013968431865

Review  - Michael Tuffery - Live at GSMC Online Music Club

Review  - Michael Tuffery

GSMC Online Music Club – Saturday 16th January 2021

Tonight’s GSMC Online Music Club performance features Michael Tuffery who is a singer and song writer who is well known on the local music scene in Berkshire performing solo, is a member of two Folk bands RyeWolf and WolfNote as well as featuring in a number of projects.

 Dressed in a suit with a bow tie and a green screen backdrop of the Royal Albert Hall you can tell that Michael has put a lot of detail into this set which opens with the Christy Moore song ‘Continental Ceilidh’  and consists of mainly covers but not the sort of songs that you would normally hear such as Paul Carrick’s ‘Eyes of Blues’ , Dire Straits ‘ So Far Away’ and Glen Campbell’s ‘Wichita Lineman’ all of which suit Michael’s distinctive silky smooth vocals.

As good as these covers are it is Michael’s original songs that really stand out such as ‘Molly Again’ which was inspired by his time as an ambulance driver, ‘Closer to You’ was co-written by fellow folk musician Rik Knight. ‘It’s in Your Laugh’ is song dedicated to his wife who joined him for this alongside a video backdrop of roller coaster ride full of teddy bears, sometimes you can’t make these things up! My own personal favourite of his original songs is ‘Westward Winds’ with a great chorus and lyrics, many well known song writer would be proud to have written this.

The set finishes with Phil Collins ‘In the Air Tonight’ followed by an encore which consisted of ‘Cousin Jack’ by Show of Hands which he really makes his own. This was a great set by one of the most under rated performers around.

You can find out more about Michael Tuffery by visiting his Facebook page https://www.facebook.com/miketufferymusic

Review - Jenny Colquitt - Live at GSMC Online Music Club

Review  - Jenny Colquitt

GSMC Online Music Club – Monday 11th January 2021

Tonight’s GSMC Online Music Club performance featured Jenny Colquitt who is a singer songwriter from Widnes in the North West of the UK . Jenny has been streaming live shows several times a week throughout Lockdown, I was really looking forward to this performance and wasn’t let down as we were treated to a great performance.

 Alternating between piano and guitar this hour and fifteen minute set consisted completely of original songs which is testament to Jenny’s talent. The first of the evening was ‘True to Me’ which was overlaid with some beautiful piano playing, which was followed by ‘Part of the Story’ and then ‘Tell Me Where the Light Is’, the first track from Jenny’s new EP ‘Dear Daughter’. Jenny has great charm and personality between songs and with a good number of people watching and commenting on the chat page, she makes time to answer all questions and acknowledge everyone as well as making new visitors welcome. ‘Captain Tom’ is the forthcoming  Charity Single due for release in a few weeks about the Lockdown hero and Dirty Town was probably my favourite of the evening, written just a week ago, it is about fighting of the negative energy when you visit some places, although all her songs are great, with a Folk / Blues feel and the occasional touch of Country Music.

With a rich soulful voice, brilliant musicianship and outstanding songs this was a stunning set from a performer who is definitely going places and one to watch for the future.

You can find out more about Jenny Colquitt by visiting her website https://jennycolquittmusic.com

Review - Paul Wilson - Live at GSMC Online Music Club

Review  - Paul Wilson

GSMC Online Music Club – Sunday 10th January 2021

 Paul Wilson comes from a family of great singers and has been performing regularly on the local music scene solo, with his duo Wilson & Cass in various bands and occasionally guests with his brother Damian Wilson who has a growing following both in the UK and Europe and whose sell out tour with Adam Wakeman was disrupted due to the Covid 19 pandemic.

 Tonight’s set mainly consisted of covers but Paul has such a powerful and distinctive voice that he makes them all sound like his own. Starting with the Lenny Kravitz song ‘Rosemary’ Paul plays such a diverse range of songs that there is something here for everyone which includes songs by Terence Trent Darby, The Cure, Radio Head, Tom Petty, Bob Dylan and many more as well as a couple by his brother Damian including ‘The One I love’ which he wrote when he was just fifteen years old. Stand out songs for me because they suit Paul’s voice so much was the soulful Ray LaMontagne number ‘Trouble’ , Bruce Springsteen’s ‘Can’t Start a Fire’, Foo Fighters ‘Times Like these’ and ‘Purple Rain’ by Prince which gives you goose bumps the way Paul sings it.

This was a great set and although the big differences with online shows is obviously the lack of audience, there is the chat bar next to the video and tonight there were people commenting and posting emojis throughout the performance and this really does create an atmosphere and a sense that you are enjoying the performance with other people. It was a fabulous evening and I can’t wait to see Paul perform again.

Review - Carola Baer - Live at GSMC Online Music Club

Live Review  - Carola Baer

GSMC Online Music Club - Friday 8th January 2021

 Carola Baer currently performs in Ruby Dawn, a new international collaboration that formed in July 2020, but due to current Covid 19 Lockdown regulations tonight’s performance comprises of a solo set. Performing from her Living Room which was beautifully lit surrounded by pot plants, art work and candles and an angle poise desk lamp which gave everything a soft glow.

 Tonight’s set starts with ‘Stonewall’ an atmospheric piece with percussion backing track and keyboard orchestration with vocal reverb creating a phenomenal sound for one person performing in their own home. ‘Save the Day’ was written during Lockdown and starts with keyboard sound reminiscent of early Jean Michel Jarre, watching Carola perform is a spell binding experience although it is just her there seems to be a number of things going on at the same time. ‘Man Where’s Your Heart’ starts with a deep undertone going into a drum rhythm and vocals with a hypnotic sound overlaid with beautiful keyboards, before slowing down to go into Remind You and going into a wonderful melody which comes across as being improvised. Mirror of your Life features Carola’s hauntingly passionate vocals before she changes over to electric guitar for one number. Over all this is a fantastic performance which changes the energy on a cold January night.

Carola Baer creates her own sound and world which is wonderful to visit full of soundscapes that spark the imagination and poetry that sooths the soul with its stark honesty.

To find out more about Carola Baer please visit her website http://www.carolabaer.com

Review  - Peter Crutchfield - Live at GSMC Online Music Club

Live Review  - Peter Crutchfield

GSMC Online Music Club - Thursday 7th January 2021

Peter Crutchfield is a Surrey based acoustic guitarist and songwriter who writes and performs both satirical/comedy/folk songs and relaxing guitar instrumentals and also co hosts the popular Music at the Potteries events in Farnham alongside fellow singer songwriter Jim Cozens.

Tonight’s set at the GSMC Online Music Club starts with the hilarious ‘Middle Class Ageing Hippy’ which speaks for itself and includes some wonderful lines such as “Joni Mitchell didn’t want us to pave over paradise, but if it means you can park outside Waitrose then it really is quite nice”. This was followed by ‘First World Problems’ which is in a similar vein highlighting how some of what we think our everyday issues aren’t really that bad when you look at it. ‘You Are Getting Older’ is reminiscent of Richard Digance songs as was ‘1970’s Really Weren’t that Bad’ which listed TV Shows, songs and food from that period. ‘Sorry We Screwed Things Up’ is a much more serious song dedicated to his daughter and is an apology for how much damage his generation has down to the environment and economy.

Halfway through the set Peter exchanges his Martin acoustic guitar for an Ibanez electric and takes on his other persona, that of an instrumental guitarist, his tunes have proved to be very popular on social media, with thousands of streams including the beautiful ‘Mystic Traveller’ followed by ‘Baystone Park’ which has a slightly jazzy Martin Taylor feel to it. ‘Too Much Money to Little Love’ is an observational song about people who seem to have everything and yet whose lives seem to be very empty. ‘Farnham’s got a Poundland is a very funny song about the outrage that happened in this Surrey Town when permission to open a Poundland was granted and the final song of the set ‘Driving Home to Farnham Town’ is a softer lighter song about his love for his hometown. This was a really enjoyable uplifting set from this talented songwriter and musician and a perfect antidote to a cold dark January night.

 You can find out more about Peter Crutchfield  you can go to his website at https://www.petecrutchfieldmusic.com

Review – Neil Wells ‘Live for Today’ - New Album

Album Review – Neil Wells ‘Live for Today’

‘Live for Today’ is the new album from Surrey based singer, musician and song writer Neil Wells who is a familiar figure on the local acoustic music scene. Neil joined his first band at the age of 15 and played in other local bands before starting a music production company as a joint venture with song writing/production partner Jonathan Brown for over 10 years, creating original songs and recordings. Neil has continued to write new songs, drawing inspiration from all sorts of avenues and experiences and in the last ten years performed these at open mic and showcase gigs.

The album which was recorded at Creative Control Studios in Berkshire kicks off with ‘Feel Like This’, Neil has a soulful voice and backed by a full band produces a light summery feel to his songs that makes you feel good. The catchy ‘Tiny Hands’ is a song about a baby being introduced to the world with backing vocals by Becky McVey which really brings the song to life. ‘Copenhagen’ was the first single to be released from the album last year and like all good songs is reminiscent of something but I can’t for the life of me think what. The more bluesy ‘Whisky Road’ features Paul Player who many people will know from the GSMC Acoustic Showcase nights performs some excellent electric slide guitar on this track. ‘In the Spirit of Nile’ pays homage to Nile Rodgers from Chic and you can feel his influence throughout this album.

All eleven tracks on this album are very good but for me the standout track is ‘That’s What We Believe’ as this is where everything comes together, with a great song, Neil’s vocals and backing band all in fine form with a Hammond organ sound adding the finishing touch. ‘Why Don’t We’ is a song for these crazy times we are currently living in with a simple message of why don’t we all just be good to each other, which you can’t really argue with. ‘Marvin’s Philosophy’ pays tribute to the Prince of Soul Marvin Gaye and the album finale ‘Words Will Stay Unsaid’ is a slow, fluid and thought provoking song, which features Glen Vaal on harmonica.

‘Live for Today’ is a really good album which with the help of an excellent backing band and production from Al Heslop brings Neil’s excellent songs to life and is highly recommended.

Neil Wells Website - https://neilwellsmusic.biz/bio

Review Kay Nixon Live at GSMC Online Music Club

Live Review - Kay Nixon

GSMC Online Music Club - Monday 4th January

One of the hazards of performing live online shows is that you do have to rely on technology and if you haven’t streamed performances that much in the past it can be tricky and that was the case with tonight’s performance featuring Surrey based singer Kay Nixon, with the first couple of songs being inaudible, but that did not phase  her and after swapping devices we were back on track.

Unlike most of the GSMC Online Music Club performances this evenings set was all cover versions but Kay has such an amazing soulful voice it was great to hear her renditions of classic songs such as ‘Wagon Wheel’ written by Bob Dylan & Ketch Secor, ‘Breakfast at Tiffany’s by Deep Blue, ‘Ain’t Nobdy’ by Rufus & Chaka Khan and the Cranberries ‘Zombie’. The highlights for me was the stunning version of Tennessee Whiskey which was most recently made famous by Chris Stapleton, ‘Handbags & Gladrags’ which morphed seamlessly into ‘Knocking on Heavens Door’ and the Ray Lamontagne song ‘Trouble’. Although the stand out song of the evening was the only original song and the final number Kay performed the country blues song ‘ Love at First Sight’ and I very much look forward to hearing more of her own songs.

It wasn’t the smoothest online performance I have come across online by far but what it lacked in coordination made up for in passion and the amazing vocal range. Kay is obviously a natural talent and with more focus on her original songs could go along way.

You can find out more about Kay Nixon by visiting her facebook page at https://www.facebook.com/kaynixonsinger

Review - Steve Bonham Live at GSMC Online Music Club

Live Review - Steve Bonham

GSMC Online Music Club - Sunday 3rd January 2021

 One of the great things about these GSMC Online Music Club (from the artists living room to yours) events is not only do you get to hear the music that these musicians make but you also get a glimpse into the world where they create them. So is the case for tonight’s show with Steve Bonham with a backdrop of shelves of books, which isn’t surprising considering that he is also an author as well as a singer and song writer, Steve would have normally performed with his band The Long Road but with Covid restrictions tonight’s show is solo.

The set opens with the catchy foot tapping song ‘Wrapped Up on You’, Steve also uses this set as an opportunity to try out some of his new songs and as well as numbers that fans would be familiar with. Steve is a great storyteller and explains that he likes to go on long treks and many of his songs are based on true life experiences like the ‘Moroccan Song’ which tells the story of meeting a Californian girl on top of the Atlas Mountains and the ‘Ballad of Dwayne & Billie Marie’ which was based on trekking in the Appalachian Mountains in the USA, although several of his songs are closer to home like ‘This is my England’ which tells of his hopes for his home country and the need for kinder times. Steve’s style covers a broad band of folk, blues and country with elements of honky - tonk and ragtime thrown in for good measure. The beautiful ‘Hummingbirds’ see’s Steve play harmonica alongside guitar and vocals and ‘Riding the Road’ is a love song for America with a great tune and chorus. The set finished with Western Requiem which is the last song of the American Odyssey which is a 15 song cycle recorded by The Long Road and due for release at the end of January.

 This was a really enjoyable performance from this prolific song writer who blends his love of travelling with his lifelong experiences into songs that are both catchy and accessible.

 You can find out more about Steve Bonham & the Long Road by visiting their website at https://www.thevagabondway.net

Review - Hannah Turner Live at GSMC Online Music Club

Live Review - Hannah Turner

GSMC Online Music Club - Saturday 2nd January 2021

 Hannah Turner is a Surrey based singer and songwriter who is well known on the local live music circuit and most recently instigated a Community Christmas video featuring dozens of Surrey/ Hampshire based musicians which has raised over £1500 for the Challengers Charity. Hannah started the first GSMC Online Music Club performance of 2021 with the hauntingly beautiful ‘A Million & One Things’ written on a travel guitar two years ago whilst on holiday, followed by a lovely version of ‘Little Bird’ by Lisa Hannigan. Another original song ‘The Haze’ is a song about shaking off other people’s toxic energy which features Hannah’s exceptional finger style guitar playing.

What I love about Hannah’s songs is the emphasis is very much centred on storytelling as is the case with ‘Hampstead Heath’ which Hannah performed on piano, about three people who swim at the pond, with beautiful music that sits perfectly aside the lyrics and which invokes wonderful images. Another cover “A Case of You” written by Joni Mitchell and James Taylor was followed by an original song ‘Truth and Lies’ based around the character Mrs Coulter from the ‘His Dark Materials’ novels by Philip Pullman. ‘Wait’ is a song about just wanting to have a moment for all those introverts out there and Hannah finished her set with ‘The Whistler’ which is a song about her Grand Farther.

All in all a fantastic performance which demonstrates just how much talent is out there producing great music and although not the same as a ‘real live’ show a great way to keep music live and keep us all entertained whilst we are all locked up in our homes.

GSMC Online Music Club - https://www.facebook.com/onlinemusicclub

A Lifetime Working In the Arts

Introduction

In recent times several people have mentioned that I should write down my stories and experiences of a Lifetime working in The Arts, and Lockdown seems an ideal time to do this, and here is page 1 !  If you would like to support me in this process so I can make time to do this, in exchange of a credit as we go then please click on the tip Jar link below. There are many stories I have collected over the years and this will be a great opportunity to share these.

Tip jar link - https://www.paypal.me/GSMC874

 A Lifetime Working in The Arts (Page 1)

 “I am sorry but we don’t sell geese.” 

So commenced my first day of what was going to be a lifetime working professionally in the Arts. Like so many people, I initially became involved by volunteering at my local Arts Centre, where I regularly helped out: stewarding, working on the bar and, my passion, organising music events.

Growing up in the Royal Borough of Windsor & Maidenhead there was very little to do as a teenager, apart from visiting the local cinema and pubs, where I spent a large part of my youth. As I grew older I would routinely walk past ‘The Court’, home to Windsor Arts Centre, intrigued by the frequent comings and goings of long-haired Bohemian types. But I never had the courage to go in as I never really understood what it was that they did; until one evening, on a quiet weekday, I took the plunge and wandered into the bar, little knowing that this would change my life for good.

What I discovered on walking into the venue that evening,  was how welcoming and diverse everybody was, and I was soon engaged in conversation and debate with a group of people. This was totally different to what I was used to and, soon after, I became a regular and started helping out. About six months later I was offered a full-time job on the bar.

My first night as Assistant Bar Manager of Windsor Community Arts Centre was a big deal for me, and I was determined to do a good job. I would be working the bar on my own and the event that night was to be a foreign language film in the cinema to about 80 people. Back in those days the films were shown on reels and, because of the length of the movie, there needed to be an interval so they could change the reels over, which was always good for the bar takings. I knew I would only have twenty minutes to serve everybody, so preparation was key. Once the film had started I got ready for the rush, stocking the fridges for cold drinks, topping up ice buckets and slicing lemons for G&Ts: this was Windsor after all!

 The first sign that the interval was commencing was the sound of footsteps in the stairway as the audience made its way from the cinema. This was the big moment for me, and I took a deep breath in anticipation of serving everyone as quickly as possible: the door opened and the first customer came to the bar. ​

 I uttered my prepared speech, “Good evening and welcome to Windsor Arts Centre. What can I get you?” to which the customer replied in a heavily foreign accent, “I would like to buy a goose.” 

 I could see the queue forming behind him and I said, “Sorry, what did you say?” 

He repeated, “I would like a goose.”

At this point my previous excited anticipation rapidly evaporated and I looked around for any clue as to what he might be looking for. No clue materialised, so I said, “We don’t sell geese.”  

 He was getting as frustrated as I was and started pointing behind me, saying in a louder voice, “A goose, a goose.”

 I turned around and spotted, with relief, what he was looking for. “Ah, a ‘Famous Grouse’ whiskey!”

 “Yes, a Famous Goose.” 

 So started my career in the Arts, a world of creative and sometimes slightly crazy people, some of whom feel they don’t quite fit in with the rest of Society.  But thanks to the wonderful venues that exist across the country, all different in their own way, these people have somewhere to congregate, and express themselves.

Me, Jimmy Page & Coincidences

It’s amazing what coincidences this life of ours manages to conjure up for us, I think no matter how broad your musical taste is , we all have a band or solo artist we are most connected to. For me that band was Led Zeppelin, my brother took me to see them at Earls Court when I was just 15 and I saw them again a few years later at Knebworth. For me it was the vastness of everything they did as a band, epic songs, large stadium shows, 3 hour plus sets, exceptional musicians and of course great music, and out of the four it was Jimmy Page for me who stood out, for many years I had a large poster of him in my room sporting a twin neck guitar, embroided jacket and a Marlborough cigarette in his mouth. So it was a coincidence that for several years I lived and worked in the same town as he did, and I guess it was fate that I would get to meet him which I did several times and each occasion was bizarre and wonderful for several reasons.

I first got involved in Windsor Arts Centre as a volunteer helping out on their music events, I then got a job as Bar Manager at the venue and then became Music Programmer and eventually Venue Manager. When I started music programming at the venue  before the age of the internet we used to be sent flyers in the post from agents offering a selection of artists who were available on tour, one day one of these came in from a Folk Music agency who offered amongst their roster Roy Harper, I was already a fan of his but at the time he wasn’t doing very much so I was unsure if we would get an audience. That evening I went to my local pub by the River Thames with a friend, we sitting outside on a Summers evening when Jimmy Page walked in brought a drink and sat down on his own, it didn’t seem like anyone recognised him so after a while I picked up the courage to walk over to him and say I was a fan, the first and only time I had ever done anything like this. Whilst we were talking he mentioned that he had been in the studio recording an album with Roy Harper, which was the first of many coincidences. The next day I went into work still buzzing from meeting a hero and called the agency who represented Roy Harper, I quickly worked out that they had no idea he was making an album with Jimmy Page who had told me when the album was due for release, so I asked for a date a few weeks after it was due out and booked him in for a a very small fee. By the time the performance came around the album (Rizla) was number 6 in the charts, we had sold out 2 months prior to the event, the tour to promote the album included dates at Hammersmith Odeon (as it was called then) , Birmingham Odeon, Newcastle City Halls and Windsor Arts Centre. Of course most people knew Jimmy Page lived in Windsor and figured that he would be at the Windsor date, which he wasn’t, he was in Japan at the time, but we still had a further 200 people turn up on the night wanting to get in on the off chance he would show up. The Roy Harper show was amazing and went on for 3 hours and is still to this day one of my highlights.

Move forward a few years and our music programme at Windsor Arts Centre was pretty well established especially our acoustic guitar season and we had a good group of people who attended these events on a regular basis. One of these people was a lovely chap from Reading who was also a big Zeppelin fan, and one night he gave me a rare album as a gift, to say thank you I went through my old box of ticket stubs I had been to and found the Earls Court ticket from 1975 (admission fee was £1.50). Thinking I would take the ticket into work so I could get the customers address and put it in the post, the day I took the ticket in was a Saturday where we had a children’s show taking place, that day was Goldie Locks and the Three Bears, and who should attend with his children but Jimmy Page. Now I always had a golden rule when it came to celebrities attending the venue, at the end of the day he is a parent taking his kids out and as manager it was my job to make sure they had a pleasant time. So the rule was don’t say anything to them unless they speak to you first, as it turns out after the show Jimmy Page came up to me and said “ I know what I was going to ask you” and it was a about children’s dance classes, after a while he said “ I haven’t introduced myself, I am Jimmy Page “ internally I was shaking like a leaf and like an idiot I said “ I am Graham Steel” his reply was “ Yes I see you around Windsor all the time”, at which point I said “ I know this sounds ridiculous but I have a Led Zeppelin ticket in my bag which I am sending to a friend, could you sign it for him” he said “what shall I put” I said “I dunno” and he ended up putting “ To Steve... Rock on... Jimmy Page”. At this point I thought I am not going to post the ticket as I know Steve was a big fan and I wanted to see his face, so I hung on to it. A few days later Steve came in for an event, I gave him the signed ticket and his girlfriend said “Did you know it was Steve’s Birthday today” which of course I didn’t. So to recap I had this Led Zeppelin ticket in a box for thirty years the very day I take it out Jimmy Page comes in the building and the day I pass it over it is my friend’s birthday, life can be very odd and wonderful at times.

As I said at the start there were a number of subsequent meetings with this Rock legend as he would regularly come to the Arts Centre and all of them as strange as the other. On one occasion I had a meeting with a new volunteer who just moved to Windsor and as it turns out was wearing a Led Zeppelin tee shirt , we had a children’s show on at the time and she was telling me her impression of the UK before she moved here and that she imagined and as a Nation we all had tea with the Queen and hung out with Elton John, I said that no way was that the case, five minutes later the children’s show finished and Jimmy Page walked out with his kids and said “Hi Graham” I replied “Hi Jimmy”  the look on the volunteers face was priceless. Another time we had a children’s end of term show and Jimmy arrived early and helped me put out the chairs, which in its self was a strange experience. There was also a comedy night with Boothby Graffoe which featured Antonio Forcione on guitar which only had 10 people in the audience which consisted of Jimmy Page and 9 of his mates. We also hosted a Record Fair and there was a rumour going around at the time  that Van Morrison once sued a stall holder for selling demo’s of his, on this day Jimmy Page turned up and I was talking to him in the foyer before he went in and over his shoulder I could see stall holders frantically hiding albums under the counter, when he eventually came out of the Fair I asked him what it was like he said it was rubbish as no one had any Led Zeppelin albums!

So to conclude, some people say never meet your heroes as you will always be disappointed, on this occasion I don’t think that has been the case as it has been surreal and life enhancing, I am fully aware of his Sex, Drugs and Rock’n’Roll lifestyle but from my experience Jimmy Page has always come across and being a very nice and friendly person who also happens to be the biggest Led Zeppelin fan you will ever meet. A few years after these stories he moved from Windsor and I now live in another part of Berkshire, so I don’t suppose our paths will cross again, but life is a funny thing so you never really know!

Genres in Music

An old friend of mine once said there are only two types of music , Good & Bad, but try and enter event details on the Skiddle Listings site and they will give you seventy genres to chose from, some I have never heard of and some just don’t make any sense. ‘Acoustic’ is listed as a genre but surely this just means performing with an acoustic instrument rather than a style of music, I have organised many ‘Acoustic’ events this year ranging from Classical Guitar Recitals to a Ukulele duo performing Heavy Metal numbers, so if the point of putting music in a Pigeon Hole is to entice potential listeners then this really doesn’t work.

I am a firm believer that music is a living breathing thing, it evolves and develops with each generation and that to me is what makes it exciting, if you ask most musicians who perform their own material to describe their music they will generally be loathed to do so, eventually stating they believe they are different to everything else that is out there, but when it comes to promoting relatively new acts then there is a need to categorise with the aim of getting an audience, so I can understand genres are necessary.  The problem is although music keeps evolving and blending many of the formats that promotes it stay the same, the internet is full of Rock, Folk, Jazz, Country  Radio Stations, Magazines and Blogs and they all have their own made up rules as to what defines their specific genre, but as music grows thanks to technology, the world also gets smaller. When World Music was first defined it was generally excepted that this meant all music outside of this country, but now there are World Music Festivals and Radio Stations across the globe many of which book and play music from the UK, so surely in this day and age World Music just means .... music?

One of the issues with genres is that everybody has their own idea as to what it is, many Folk Clubs and some Folk radio shows for example state that they only book or play Traditional Music but you could argue that as there are very few field recordings of those songs when they were written it is difficult to say what they are supposed to be like, in fact most people’s idea of Traditional Folk Music is what the Revivalists from the 1960’s thought Traditional music should sound like. One of the acts that I have the deep honour of working with are The Salts who as well as writing original songs perform Traditional Sea Shanties often in a Rocky energetic style, in some circles they are frowned at simply because they have a drum kit, which is definitely a no no in certain Folk Clubs at the same time there  are DJ’s and journalists stating that these songs would have been sung by Seafaring Testosterone filled Sailors who would have sung with the same energy and vigour as The Salts , proving that every individual have their own take on what a genre is.

It is not just individuals that decide what a specific genre is, there are also cultural differences in meaning, I recently had a long debate with an American artist over what constitutes Folk Music and she was shocked to hear that I didn’t think the likes of Bob Dylan, Joni Mitchell, Carol King and Neil Young would be described as Folk over here, but in the USA they are such a big part of their Folk heritage, eventually she said would Mumford & Sons be called a Folk act in the UK, after a long pause I had to say no although objectively listening to their first album you would have to say yes, but I don’t know anyone who would describe them as a Folk act and even the band themselves would rather associate themselves with the likes of Reading Rock Festival over some of the more established Folk Festivals.

I first got into working with bands as a roadie for Sledgehammer who were initially described as a Blues/ Rock band when they started  but they coincided with the arrival of the New Wave of British Heavy Metal in the UK and very quickly they evolved in being a Metal  band as it helped them get bookings which led onto to us supporting the likes of Def Leppard, Iron Maiden, Saxon, April Wine  etc although at their core they were still a Blues/ Rock band, but it is a good example of how aligning yourself with a genre can be helpful . But there are many examples where genres hold music back.

One act I worked with described their music as Country, Folk & Blues so I Googled Music websites and found one called Country, Folk, Blues, so I sent them a CD and few days later the person who ran the site contacted me saying they loved the album and couldn’t stop playing it, although he couldn’t review it on his site as we were Country, Folk & Blues and he was Country, Folk or Blues, I had to read his email several times and still couldn’t understand fully what he meant. The point is this was his rules and his guidelines which prevented him from reviewing music he liked.

Overall most people I come across are enthusiastic supporters of new music and encourage the development of genres and actively work to promote it but there are times when it can hold things back and times when the genre needs to evolve with the music.

Graham Steel